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	<title>OURSPACE</title>
	<link>http://artphilosophy.org/ourspace</link>
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		<title>Vanessa Casal-Dominguez: Landscape as Experience</title>
		<description>


Fig. 1: Vanessa Casal-Dominguez, Untitled, 2009. Painting on carved MDF. CLICK IMAGE TO ENLARGE

Graham Coulter-Smith: Vanessa could you tell us the background to the works we are illustrating here?

Vanessa Casal-Dominguez: They stem from my experience of climbing mountains. The very first time that I started climbing we went walking up ...</description>
		<link>http://artphilosophy.org/ourspace/?p=184</link>
			</item>
	<item>
		<title>Celine Siani Djiakoua: Exploring Boundaries</title>
		<description>
Celine Siani Djiakoua, Untitled, 2008. Stills from performance video.
CLICK ON IMAGE TO ENLARGE



Celine Siani Djiakoua, Dust drawings and tissue paper collage, 2006. Derelict pottery factory, Stoke-on-Trent.
CLICK IMAGE TO ENLARGE



Celine Siani Djiakoua, Untitled, 2006. Six metre diameter plaster circle covered with floor paint. Staffordshire University, Stoke-on-Trent, UK.



Rectangular Dance--dance or exercise on ...</description>
		<link>http://artphilosophy.org/ourspace/?p=151</link>
			</item>
	<item>
		<title>Lorraine O&#8217;Neill: The Space of Time Passing</title>
		<description>
Lorraine O'Neill, Untitled, 2009. Installation with projected image. CLICK IMAGE TO ENLARGE
In this piece I wanted to create the feeling of absence, the chair and the view of the window representing the space where someone has been sitting and has since vacated. The notion of time having passed is also ...</description>
		<link>http://artphilosophy.org/ourspace/?p=129</link>
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		<title>Holly Sneezum: A Small Bench in a Dark Room</title>
		<description>
Holly Sneezum, Done, 2009. Installation with half scale bench. Click image to enlarge. 

My Grandfather died recently and I am memorialising him in my art work. He had a garden bench and I reproduced it exactly half size as if it were a children's bench. Benchs are commonly used as ...</description>
		<link>http://artphilosophy.org/ourspace/?p=104</link>
			</item>
	<item>
		<title>Craig Hawkes: 3D NYC</title>
		<description>
This is a recent experiment I carried out with projection of still photographs I took in New York onto a three-dimensional array of screens.  </description>
		<link>http://artphilosophy.org/ourspace/?p=87</link>
			</item>
	<item>
		<title>Craig Hawkes: Light Art</title>
		<description>

 
LEFT Fig 1 Craig Hawkes Experiment 11, 2008. Paper silhouette in a dark room RIGHT James Turrell, Afrum-Proto, 1966. Corner projection (quartz halogen).

This paper will predominantly focus on discussing specific artworks from Dan Flavin and James Turrell, comparing their work with other artists and ultimately my own. In an attempt to ...</description>
		<link>http://artphilosophy.org/ourspace/?p=52</link>
			</item>
	<item>
		<title>Rebecca Hart: Foot Record Installation, 2009</title>
		<description>




STUDIO HOT SPOT WALL CHART

 </description>
		<link>http://artphilosophy.org/ourspace/?p=70</link>
			</item>
	<item>
		<title>Jordan Smart: Body Forms</title>
		<description>


Jordan Smart, Body Forms, 2009. Installation. CLICK IMAGE TO ENLARGE In the Body Forms installation I am exploring the relationship between body and space.  For this installation I began by making body prints and then drawing outlines of my own body which made me feel as if I was looking at someone ...</description>
		<link>http://artphilosophy.org/ourspace/?p=62</link>
			</item>
	<item>
		<title>Lewis Hughes-Evans: Psychology of Space</title>
		<description>

Can artists exploit the psychology of space? This is a central notion informing my installation art practice. What is the Psychology of space? The Psychology of space or as it is sometimes known as Psychogeography is “the study of the precise laws and specific effects of the geographical environment, consciously ...</description>
		<link>http://artphilosophy.org/ourspace/?p=33</link>
			</item>
	<item>
		<title>A.B. Dickerson on Kant and Space</title>
		<description>What follows is a section from A. B. Dickerson's book Kant on Representation and Objectivity. Cambridge: Cambridge University Press, 2003.

The 'content' of the data in themselves is indeterminate, for any image one likes could be obtained from the data, depending upon which rule of projection one chooses to apply. It ...</description>
		<link>http://artphilosophy.org/ourspace/?p=14</link>
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